While many things are drastically different on my model railroads rebuild, I'm trying to recreate the same kind feel for locations off of the old railroad, recycling some of the buildings, and even trying to mimic some of the train features where possible, I'm making that attempt in Perry's Gizzard, even though a close resemblance will be impossible without recreating the conditions my new RR the same conditions my new railroad was built to escape ( too steep grades, and too tight curves. ) one of the signature buildings of Old Gizzard, was St. Joseph's. I tried it in several different locations in the interior of the central peninsula, before deciding that , due to the level of detail, it had to be near the aisle, so the detail could be seen , and appreciated. That left only one spot, on the front aisle, as track, mountains, and or the creek took up all the other near aisle real estate. This displaced another building, but it did not have the level of detail that St. Joseph's has.
From time to time I undertake a project which I characterize as a stretch project. on such a project I endeavor to use new and different materials or techniques, and or push the level of my workmanship up a notch to turn out something well above the quality of my normal workmanship. These projects help me expand my skill sets, and refine my skills. St Joseph's was one such project with me testing my limits on scratchbuilding with styrene Evergreen styrene sheets and dimensional material, Grant line windows, Williams metal roofing, and the HO people were the only commercial parts . . The water powered sawmill in the gizzard was another my Crooked Creek Engine House / Shops was another, as were my Surry-Parker log loaders, and my Union Station projects.
When I built St. Stevens, I had a particular spot in mind, and I built no real foundation for the model. it sat on some strategically placed chunks of limestone, and had a set of wooden stairs leading up to it. that was all pretty much integral to the Old Gizzard, and went out to the midden heap with the old Gizzard, along with the substandard foundation for the water powered sawmill. last year, I had made forms out of styrofoam insulation, and bamboo skewers, and poured hydrocal foundations for the sawmill, and St. Stevens. I have done most of the carving on the Sawmills foundations, but had not started on St. Stephen's and I'm working on the area where St Stephen's is going, so it was time to get on it.
I had to drill some holes through the foundation blank to pass the LED lighting wires through. ( I still need to drill corresponding holes through the plywood below), and then I soaked the hydrocal in water for a while to get it soft enough to carve. now that it is carved, I need to let it get thoroughly dry, before I try my hand at staining the carved hydrocal with thinned oil paint. I have not been satisfies with painting hydrocal with acrylics, and if oils work nicely on this project, I may try using them on scenery as well.
a few more days for the hydrocal to dry, and this will go up onto the mountain!
